Austin-based agency Preacher tapped Randal Ford to capture attitude-filled portraits of authentic Vital Farms hens for a new series of print ads with cheeky taglines
Starbucks wanted to do something a little different for the winter menu boards in its Asian stores, placing the featured drinks between two planes of stained glass. Annabelle Breakey and her team got to work sourcing brightly colored plexiglass and fresh ingredients.
It was family, not photography, that led Jamie Kripke to board a riverboat in Basel, Switzerland, for a week-long cruise down the Rhine, but once the plans were made, he knew he wanted to take photographic advantage of the unique opportunity.
with images shot for ad campaigns for Audi, ODC/Dance, Liss Fain Dance, Garrett + Moulton Productions, Flyaway Productions and Kristin Damrow & Company.
For an outdoor ad campaign in NYC, Annabelle Breakey was tasked with bringing Rao’s Homemade to life in a way that honored the company’s nostalgic history and showed off the sauce’s wholesome ingredients in a fresh and playful way.
RJ Muna shoots the 2019 Audi A8 with Venables Bell & Partners.
In the world of modern dance, the promotional photographs for an upcoming production are often taken months before the piece is fully choreographed, not to mention before sets are built, lighting is designed, and costumes are made. So it was something of a luxury when photographer RJ Muna and choreographer Liss Fain met in the studio to create images for Liss’s Fall 2018 production, A Recomposition: I Don’t Know and Never Will.
Lions, tigers, and bears — in the studio? That’s just another day behind the camera for Austin photographer Randal Ford and the subject of his first book, The Animal Kingdom: A Collection of Portraits (Rizzoli).
Randal Ford’s second video spot for InnovAge is a lighthearted spoof on the beloved Cheers theme song, Everybody Knows Your Name.
Quinci and I get down to Los Angeles to show portfolios fairly often, but we were long overdue for a visit just to hang out with our beloved Art Producer community.
Shaun Fenn says any excuse to photograph sports is fine by him. For the past two years, he’s been working with the United States Tennis Association to create a custom library of images to use across their website and advertising platforms.
As a rookie photographer, shooting covers for Texas Monthly was the gold standard of photography assignments for Randal Ford.
When Jim Salzano got the call to shoot a short video interview featuring photographer Tony Vaccaro, he didn’t know who he was. “And I know a lot about photography,” Jim laughed.
During March Madness, Capital One released a television commercial directed by Spike Lee featuring Samuel L. Jackson and Charles Barkley in his “snack hoodie.”
The Aspen Power of Four is a multi-sport race series that takes competitors on a course up and over the four mountains that make up Aspen-Snowmass: Aspen Mountain (Ajax), Aspen Highlands, Buttermilk, and Snowmass.
Matthew Turley is accustomed to working with a whole range of subjects—models in Namibia, Ram Trucks deep in the heart of Texas, and even the occasional stingray—but working with the Travelocity Roaming Gnome was a little bit different.
Alonzo King LINES Ballet is celebrating its 35th anniversary this year with a special exhibition of photography by RJ Muna at San Francisco International Airport.
with projects for Airbus, Audi, Alonzo King LINES Ballet, ODC/Dance and more.
One Eyeland announced its 2017 Photography Award winners last week and once again RJ Muna lands on top with 9 separate wins including a Silver award for overall Photographer of the Year.